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A World History of Art, by Hugh Honour, John Fleming
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Since its first publication this book has been hailed as the most up-to-date and wide-ranging history of art ever published in a single volume. This quote from Andrew Graham Dixon describes the book: 'Spanning continents and millennia, ranging from man's earliest cave paintings to the works of Picasso and beyond, this is a hugely ambitious book. But thanks to the breadth of their scholarship, the depth of their enthusiasm and the enviable freshness of their writing, Honor and Fleming triumphantly accomplish the herculean task they have set themselves. Sympathetically expanded by Michael Archer, who brings the story forward into the twenty-first century, this thumping slab of tome is without doubt the most compelling total history of art ever written'. This Revised Seventh Edition expands the original coverage by embracing new developments in archeology and art historical research, and in particular contemporary art historian Michael Archer has greatly expanded the authors discussion of the art world over the past two decades, providing a new perspective on the latest developments shaping our cultural history.
- Sales Rank: #710378 in Books
- Published on: 2009-08-10
- Original language: English
- Number of items: 1
- Dimensions: 11.46" h x 2.44" w x 8.66" l, .0 pounds
- Binding: Paperback
- 996 pages
About the Author
Hugh Honour is one of the leading art historians of our time. With John Fleming, he edited the Pelican 'Style and Civilization' series. John Fleming, with Nikolaus Pevsner and Hugh Honour, wrote The Penguin Dictionary of Architecture and Landscape Architecture. He died in 2001. Michael Archer teaches at The Ruskin School of Drawing and Fine Art, University of Oxford.
Most helpful customer reviews
15 of 15 people found the following review helpful.
An Ideal Resource
By Shoesaproblem
As a student of fine and decorative art, "A World History of Art" has proved an invaluable resource for me. Unlike so many texts intended to provide a comprehensive overview of the history of art, this book is fresh and enjoyable, offering a wealth of information in a succinct and articulate manner. It is all too easy to deteriorate into ponderous, heavy prose when discussing the history of art, but Honour and Fleming generally manage to avoid the trap and move steadily and seamlessly through both time and place in discussing the progression of art.
"A World History of Art" is, primarily, an academic text and is therefore a proverbial doorstop of a book - I would not recommend it as a coffee table adornment, but would strongly encourage students or connoisseurs to consider it as a reference. It is an ideal source of general information for the university or postgraduate student, and would serve as an excellent introduction for anyone seeking to study the history of art.
10 of 10 people found the following review helpful.
The best art history text book there is
By Mr. DN Clayton
Well there might be a better one, but this is orders of magnitude better than anything else I have read, including Gombrich. The great thing about it is that it attempts to relate the form and content of the art to the worldview of the artists and the society of the time that the art was produced. In support of its arguments it gives lots of extended passages from contemporary writers as well as many, many quotations from the artists themselves. The philosophical and theological connections are well explained.
What it doesn't do is attempt to re-interpret things as seen through an atheist/materialist worldview, (which assumes that any worldview based upon faith is founded in error and assumes that it cannot be a true motivation for the artist does). This is what nearly every other art book does. For example, much of Western art history is linked to Catholic beliefs. Honour and Fleming do not question the truth of Catholic beliefs, as nearly every art book I have come across does, but seeks to explain how, given these beliefs, their art might be as it is. So they explain clearly and accurately what those beliefs are then relate what we see to them. I find their analysis very convincing. They have the same approach to art of non-Christian cultures as well.
The only section that I find weak is that not written by Honour and Fleming, on the art of the 20th century. The writers seem are not able to articulate the worldview behind it in the same clear way.
0 of 0 people found the following review helpful.
This is the heaviest (poundage) I ever bought. Practically ...
By Jean Mensing
This is the heaviest (poundage) I ever bought. Practically have to wheel it around the house. Content of course fascinating.
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