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Beginning with their ambition to found an artists' colony and ending with each artist going his own way, this is the story of how, during autumn 1888, Van Gogh and Gauguin came to live together for two months, in Arles, in the south of France. It is not only the story of their friendship, it is also about how artists generate and share ideas and how they work. While they lived together, these artists had very different beliefs about art, which can be demonstrated through the subjects they painted, side by side. Reproductions of ten paintings by the men are included, so that their styles are approaches are evident. The contrast between the men (in appearance, manner and artistic approach) will provide ample material for discussion with children.

• Sales Rank: #1120162 in Books
• Brand: Brand: Harry N. Abrams
• Published on: 2001-09-01
• Original language: English
• Number of items: 1
• Dimensions: 12.25" h x .38" w x 9.50" l, 1.20 pounds
• Binding: Hardcover
• 40 pages

Features

• Used Book in Good Condition

From Publishers Weekly
This intriguing introduction to two esteemed painters, published in association with the Art Institute of Chicago, spans two months at the end of 1888, when Gauguin accepted van Gogh's invitation to live and work at his yellow house in Arles. Laced with quotes from letters the artists wrote to others, Rubin's (Margaret Bourke-White) narrative underscores the contrasts between the duo's living and painting habits. For van Gogh, "Thick swirls of strong colors expressed his feelings his love of nature, his joy in painting," while Gauguin "painted more slowly.... He spread the paints smoothly in careful shapes." Van Gogh painted from nature, Gauguin "from his imagination feelings, fantasies, and dreams." The author's incisive, accessible analysis of some of the paintings created during their time together accompanies crisp reproductions of their work. Smith's (Circus Train) lifelike watercolor and gouache portraits effectively convey the distinctive characteristics of each man as well as the particulars of the setting and era. Sadly, their constant bickering, according to the author, eventually culminated in a quarrel that ended with van Gogh cutting off part of his own ear and precipitated Gauguin's departure from Arles. Rubin concludes with concise biographical sketches of each artist. This appealing volume will likely spark an interest in the artists' complete works. Ages 5-9.

Copyright 2001 Cahners Business Information, Inc.

From School Library Journal
Gr 2-5-For a brief period in 1888, two of the world's greatest artists lived and worked together in Arles, in southern France. Though only lasting about eight weeks, this tumultuous period and relationship influenced the work of both men. Rubin does an excellent job of contrasting their two styles (and temperaments) and clearly describes how differently each one treated the same subject. The illustrations include reproductions of their paintings and excellent pictures of the men at work and home. The artwork isn't captioned, so careful looking and reading of the text is necessary for someone unfamiliar with these artists to determine who painted what. This book provides an excellent introduction to the study of these painters and their styles. It was produced in conjunction with the Art Institute of Chicago, which hosted the exhibition "Van Gogh and Gauguin: The Studio of the South," and includes brief biographies.

Robin L. Gibson, Perry County District Library, New Lexington, OH

Copyright 2002 Cahners Business Information, Inc.

From Booklist
Ages 5-8. This handsome picture book, published in association with the Art Institute of Chicago, focuses on the two months in 1888 that Gauguin shared van Gogh's studio in the south of France. Rubin's elegant, simple text offers plenty of biographical detail, with more information in concluding page-length biographies. The more sensational stories, such as van Gogh's ear incident, are covered with tact and restraint. But the focus is really on the art. Juxtaposed images showing both artists' interpretations of the same subject offer a basic introduction to the artists' styles, techniques, and mutual influences. Best of all are Rubin's wonderfully accessible observations ("The picture has a mysterious mood. . . . A large green bush seems to have a face"), which will encourage kids to really look at the works and find their own connections with the images. A good introduction to the artists and to visual art in general. Gillian Engberg
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

2 of 2 people found the following review helpful.
Meet Vincent Van Gogh and Paul Gauguin
By Roz Levine
During the fall of 1888, Vincent Van Gogh invited Paul Gauguin to come live and paint with him in the Yellow House in the south of France. "...he missed the company of other people, especially artists who could discuss painting. He hoped that warm, sunny Arles would attract fellow painters to join him. Together they would form a kind of family of artists, a Studio of the South." Van Gogh and Gauguin were very different in both temperment and style. Van Gogh worked quickly, painting "exactly what he saw with his own eyes", and often completed a painting in just one sitting. He "liked to load his brush with lots of paint and put it on the canvas in dots and dashes... Thick swirls of strong colors expressed his feelings-his love of nature, his joy in painting." Gauguin worked very differently. He painted more slowly, blending his paints on a palette, and spreading the colors "smoothly in careful shapes." He "painted pictures from his imagination-feelings, fantasies, and dreams." Together they worked side by side for two months, discussing art and techniques, and learning much from each other. And even after Gauguin left Arles, they continued to encourage each other through their letters..... Based on actual events, Susan Goldman Rubin has written an elegant and compelling story about the relationship between these two great artists. Her eloquent text is straightforward and informative. But it's Jos. A. Smith's artwork that really makes this book stand out. His evocative illustrations dazzle as they compare and contrast Van Gogh's and Gauguin's styles, techniques, and use of color, and include reproductions of some of the paintings created during that two month period. With biographies at the end to fill in details about both painter's lives and work, The Yellow House is an engaging, fact filled introduction, rich in history and drama, that is sure to intrigue young art lovers 5-10, and send them out looking for more

3 of 4 people found the following review helpful.
For inquisitive and artistic young minds
By Midwest Book Review
The Yellow House: Vincent van Gogh & Paul Gauguin Side By Side is a children's color picturebook about the how two legendary artists, Vincent van Gogh and Paul Gauguin, lived together in a Yellow House the south of France in 1888, and shared ideas about their painting. Yet they set about their artwork in very different ways; for example, Vincent painted what he saw while Paul painted from his memory and imagination. The Yellow House is not only an enjoyable story, but also an excellent introduction to the world of art for young readers. The vibrant color artwork strives to emulate a spark of the creative genius that van Gogh and Gauguin themselves poured into their life's work. The last two pages of The Yellow House consist of short biographies of the famous artists. An ideal gift book selection, The Yellow House is highly recommended gift book for inquisitive and artistic young minds.

6 of 9 people found the following review helpful.
Great except for potentially scary or inappropriate content
By ChristineMM
This is a picture book format story for children aged 4-8, about the time period when Paul Gaugin lived with Vincent van Gogh in Arles, France. Bright and lovely illustrations by Jos. A. Smith and reproductions of van Gogh and Gaugin's works comprise the illustrations. There is not much coverage of the impressionists in general. If this is read as a first exposure to van Gogh, Gaugin, or impressionism, the child will be confused or not understanding. I feel this is a great accompaniment after the child knows something about the Impressionist movement, van Gogh, and Gaugin. The bright and lively illustrations really make this a special book.
The story covers the time when van Gogh invited Gaugin to visit through their visit and then ending with a description of their pen pal relationship after Gaugin left Arles. The story explains the different painting methods they used, even when painting the same subject at the same time. The author explains their use of their favorite colors for backgrounds is shown and how van Gogh preferred to paint exactly what he saw while Gaugin preferred to paint from his imagination or from the content of his dreams.
Their explosive relationship is discussed, including a fight that culminated in van Gogh cutting off part of his ear, which was the last straw for Gaugin, resulting in Gaugin's departure. Depending on the sensitivity of the child, learning of this event this could be disturbing. At the back of the book is a one-page biography of each artist. I am not sure if this part was intended to be read to the child; within the van Gogh bio, it is explained that van Gogh suffered from strange moods since boyhood, then goes on to say that after the ear-cutting episode the townspeople "demanded he be locked up in a mental hospital" and goes on to say he did end up in a mental asylum. Whether you want to read this to your young child is up to you. I take issue with the idea of telling young children that townspeople can call for someone to be locked up and then knowing it came to fruition! There is also the question of how much information you want your young child to know, or how much can they understand, about depression, mental illness and the mental asylums of the 1800s. I am not calling for censorship or shaming of depression or mental illnesses, but I have issues with as to the appropriate age to venture into a discussion of mental illness, depression and self-mutilation. Other van Gogh biographies for children aged 4-8 have not included information about the ear-cutting or about the mental asylum visit, although adults seem to always be interested in this part of van Gogh's life.
If the book did not contain the ear-cutting incident in the main body of the story I'd rate this 5 stars; I'll rate it 4 stars due to the content potentially being disturbing for children aged 4-8 which the publisher states this is appropriate for.

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When Peter Flom was five years old, his parents were told that he had “minimal brain dysfunction” and would never go to college. Peter skipped one year of high school, did college in three years, got his BA at twenty and now has two MAs and a Ph.D. He’s married and has two sons. He also has a different diagnosis: Nonverbal Learning Disability. In “Screwed Up Somehow but Not Stupid,” Peter describes what it’s like to live life with a learning disability, but also with some abilities.

• Sales Rank: #654814 in Books
• Published on: 2016-01-01
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .37" w x 5.51" l, .46 pounds
• Binding: Paperback
• 174 pages

About the Author
Peter Flom has nonverbal learning disabilities (NLD or NVLD). He was the first student at the Gateway School in New York City and has an MA in special education and a PhD in psychometrics. He has given talks about NLD at various organizations and is active on several sites about learning disabilities.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Outstanding
By Robert & Ellen Kaplan
Peter Flom writes: “It is so hard to explain our difficulties” — the difficulties of people with nonverbal learning disability — but he does so brilliantly and compellingly in Screwed Up Somehow but Not Stupid. And after a vivid description of his life and the problems faced by others like him, he gives a detailed panorama of ways to help. This is a terrific book: honest and optimistic, and propelled by hope and good will.

3 of 3 people found the following review helpful.
For every person who cares about a person with learning disabilities
By Sweetie Berry
Dr Flom has written poignantly about his experiences as a well-able person with learning disabilties. This is a must read for every parent, practitioner, and person who has ever worked with, existed as, or desires to support a person with learning disabilities.

2 of 2 people found the following review helpful.
NLD from the “horse’s mouth”
By Joseph Bock
After retiring at 63 years of age from a career as an Electronic Engineer I did some research on my lifelong weaknesses. I discovered I had a Nonverbal Learning Disability (NLD). Having NLD meant that although I was very good at challenging and creative tasks I couldn’t easily do things that most people take for granted like folding paper.

This book is written by Dr. Peter Flom who is also someone that has NLD. It is the author’s life experiences with NLD. I was amazed at how similar Dr. Flom’s NLD life is to mine. Reading this book expressed so much of what my life was and still is.

In addition to describing how NLD manifested itself in the author’s life the book also gives practical advice for someone with NLD and also for someone that has to deal with a person with NLD, like a parent, spouse or teacher etc. There are many books about NLD written by the likes of therapists and other “experts” but this book comes straight from the “horse’s mouth” so to speak.

The book deals with the whole lifespan from childhood, to school and into adulthood. The writing is very clear and is an easy and interesting read. I think it is the perfect book for anyone that really wants to understand NLD or just for a genuinely out of the ordinary read.

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Handbook of Geriatric Care Management, Third Edition is a comprehensive guide for Geriatric Care Managers (GCMs) to help define duties and procedures while providing guidelines for setting up a geriatric care practice. An essential teaching tool, this new edition is an easy-to-use, practical guide that gives students the foundation they need to receive a certificate or degree in GCM. The Third Edition has been completely updated with revised chapters on psychosocial assessment, functional assessment, ethnic and cultural assessment, and writing a geriatric assessment. Also included throughout the text for additional study are sample forms, sample letters, and case examples.

• Sales Rank: #361497 in Books
• Brand: Brand: Jones Bartlett Learning
• Published on: 2011-04-12
• Original language: English
• Number of items: 1
• Dimensions: 10.25" h x 7.25" w x 1.25" l, 2.33 pounds
• Binding: Hardcover
• 526 pages

Features

• Used Book in Good Condition

Most helpful customer reviews

2 of 2 people found the following review helpful.
very poorly written book which left out information that was ...
By Kathryn Rasser
very poorly written book which left out information that was in some basic outlines with no details into it. Honestly very repetitive and frustrating.

3 of 4 people found the following review helpful.
Will help me make a change in my career path
By Victoria McKamy
this is the book that most of the licensing questions come from, it is informative and very easy to read. I can study on my own at my own pace without formal schooling.

0 of 0 people found the following review helpful.
Care Management
By Cameron Oglesby
Excellent book detailing every aspect of Care Management. The author offers practical solutions to real problems facing the elderly, their families, and Care Managers. A must for every bookshelf of professional Care Managers!

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Over The Edge Books announces a deal with acclaimed author, television, screenplay writer, Odie Hawkins. Literary works by Hawkins, alongside fellow street lit authors, Iceberg Slim, Donald Goines, and Joseph Nazel, established the legendary Holloway House Publishing Company as a major player in the publishing world.
These authors created the now thriving Street Lit Genre, earning Holloway House millions and. coincidentally cementing its place in the American pop and literary history. Hawkins a recent winner of the full rights to his catalogue from Holloway House, has partnered with Paul Stewart, CEO of OverThe Edge, to re-release his earlier ground breaking books and to promote more recent works.
An original member of the famed Watts Writers Workshop – established by Budd Shulberg, and the Writer’s Guild of America’s “Open Door Program”, his works including twenty-eight plus novels across multiple genres, several short story collections, television (here and Ghana, West Africa) film scripts, have been both celebrated and studied for years for their unique social insights.
Hawkins is best known for the 17 novels he contributed to the Golden Era of the Holloway House Publishing Company. In 2012, Hawkins was featured in the critically acclaimed “Iceberg Slim: Portrait of a Pimp”. He discussed Iceberg Slim’s works and their impact on American Literature.
Despite the fact that Odie Hawkins has not enjoyed the financial benefits of mainstream success, there is no doubt that he was there when there was a there, there. His growing fan base reassures us that his contribution to American Literature will not be underrated.
“The opportunity to work with a groundbreaking author like Odie Hawkins is why I started “Over The Edge Books”, explains The “Over The Edge” founder/CEO Paul Stewart. “Our company, introducing Odie Hawkins’ classic material to a new generation, and to present his most recent projects is like discovering buried treasures.”
“Over The Edge Books” is building a solid reputation and a growing audience as The Voice of the underground cultures in music, visual arts and literature.

• Sales Rank: #327976 in eBooks
• Published on: 2015-07-21
• Released on: 2015-07-21
• Format: Kindle eBook

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2 of 2 people found the following review helpful.
The Original "Sweet Peter Deeder" is back! - The book that came before "Sweet Peter Deeder aka Mr. Sweets".
By Zola
I didn't believe I'd ever see this book again since it's out-of-print and currently is only an e-book. It was originally published in 1979 & re-published in 1987, during the times when people understood there was "sin" on the streets and in homes, and did not try to sweep it all under the rug. After reading 3 volumes of a book by an English writer, I wanted to read something with "spice" from the "hood". It's a bit raw in places for someone who grew up in a middle class family. But Sweet Peter comes across so real. His goal to become a pimp is understandable. The book makes you realize how easy it is to mold a child living in bad circumstances, into an adult who will do anything to never be poor again. It makes you understand how important it is to bond to your children early if you want them to become a valuable member of society...or they will easily go down paths to their ultimate ruin.

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• Sales Rank: #2093189 in Books
• Published on: 1965
• Format: Import
• Number of items: 1
• Binding: Hardcover
• 235 pages

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• Published on: 1959
• Binding: Paperback

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Anthropogenic transformation of the coastal zone continues at a steady pace, especially in the developing maritime countries, where coastal resources are often crucial to national economies. However, exploitation of these resources is often indiscriminate, ill planned, or carried out without adequate scientific knowledge. This leads to rapid resource depletion, and often irreversible environmental degradation. The 1992 Rio de Janeiro UN Conference on Environment and Development recognized the expediency of an integrated and sustainable use of all coastal resources, functions and services grounded on sound scientific data.
The present volume is based on the 1994 international workshop Integrated Coastal Zone Management, and brings together contributions by leading specialists both on basic concepts and on applications of coastal management. The work is divided into six parts, dealing with the conceptual framework of ICZM; regional and global aspects of coastal management; environmental assessment in ICZM; capacity building and technology transfer; monitoring and environmental analysis; and case studies and status of ICZM plans. The book also incorporates an interactive ICZM planning module, COSMO, which can be of use in designing a management plan for a coast. Attention is also given to long-term environmental effects of present-day actions. It is hoped that COSMO will prove an additional learning tool for ICZM practitioners and enhance the value of the book.
This work is intended to give a broad coverage of conceptual and technical aspects of ICZM, and will be of use to operational executives as well as students of ICZM, environmental economists, policy-makers and senior managers in the international development agencies and governmental and non-governmental organizations. It can be recommended as a textbook and as a reference work.

• Sales Rank: #10693106 in Books
• Brand: Brand: Springer
• Published on: 1997-11-30
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .94" w x 6.14" l, 1.66 pounds
• Binding: Hardcover
• 394 pages

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Review
`The book will be of interest to academics and practitioners of coastal zone management world-wide.'
Journal of Environmental Planning and Management, 41:5, (1998)

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As recalled in Honky, Dalton Conley’s childhood has all of the classic elements of growing up in America. But the fact that he was one of the few white boys in a mostly black and Puerto Rican neighborhood on Manhattan’s Lower East Side makes Dalton’s childhood unique.

At the age of three, he couldn’t understand why the infant daughter of the black separatists next door couldn’t be his sister, so he kidnapped her. By the time he was a teenager, he realized that not even a parent’s devotion could protect his best friend from a stray bullet. Years after the privilege of being white and middle class allowed Conley to leave the projects, his entertaining memoir allows us to see how race and class impact us all. Perfectly pitched and daringly original, Honky is that rare book that entertains even as it informs.

• Sales Rank: #399075 in Books
• Brand: Vintage Books
• Published on: 2001-09-18
• Released on: 2001-09-18
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .50" w x 5.10" l, .53 pounds
• Binding: Paperback
• 207 pages

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From Publishers Weekly
"I've studied whiteness the way I would a foreign language," declares Conley at the outset of his affecting, challenging memoir, laced with the retrospective wisdom of the sociologist (at New York University) he has become. As the child of bohemian, white parents, he grew up in an otherwise black and Hispanic housing project on New York's Lower East Side. At elementary school in the 1970s, he found himself placed in the "Chinese class," after his stint in the black classAwhere he was the only student not to receive corporal punishmentAleft him uncomfortable. Despite the family's lack of funds, they had cultural capital in the form of social connections, and were able to transfer young Dalton to a better school, where he began to feel some snobbery toward kids in his own neighborhood. Yet the friend who accepted Dalton most was a black youth from the neighborhood, Jerome, who was tragically disabled in a random act of violence that helped spur Conley's parents to leave the Lower East Side for subsidized housing for artists. Part of the memoir concerns the universality of povertyAbut a thoughtful examination of the privileges of race and class also emerges. Despite the book's title, the author cites only one major episode in which he was threatened and called "honky." Conley acknowledges that he doesn't know how to account for such successes as gaining admission into the selective Bronx High School of Science: race? parental protectiveness? his own aspirations? It is "the privilege of the middle and upper classes," he observes, to construct narratives of their own success "rather than having the media and society do it for us." (Oct.)
Copyright 2000 Reed Business Information, Inc.

From Booklist
Conley, a sociology professor, brings to his analysis of race a unique experience in the social and racial maze of New York City. Conley grew up in a Manhattan housing project that was predominantly black and Hispanic. Yet his minority white status offered a perspective and insight into the analysis of American race and class conflict. Conley found himself placed with Asian students on a higher academic track in elementary school, later migrated downtown to the Village with rich white students in junior high school, and was finally placed in one of the more selective public high schools. Throughout his personal journey, he learns that class and race are interwoven in a complex social fabric making it somewhat difficult to determine which is the dominant factor. While Conley appears to maintain close personal friendships with minorities, his whiteness still provides him with opportunities not available to his black and Hispanic neighbors. Conley's perspective on his youth is likely reconstructive and colored by preferences. Yet his book offers a clarity and simplicity that is insightful and raises concerns of a more universal significance. Vernon Ford
Copyright © American Library Association. All rights reserved

From Kirkus Reviews
Conley (Sociology/New York Univ.) recounts his years of growing up poor in the 1960s, '70s, and '80s in the projects on the Lower East Side of New York, where as a white he was a minority amid Latinos, blacks, and Asians. His mother and father were a bohemian couple who abandoned their respectable origins and moved to the inner city. Young Conley went to school first on the Lower East Side first and later in Greenwich Village. The comparison between the poorer schools of the Lower East Side with those of better-off Greenwich Village allows the sociologist in Conley, mercifully gagged until that point, to come gushing through, in the process spilling the jargon of his profession over what had heretofore been a fine first-person narrative. Sociology gets him into trouble in other ways as well. Conley, for example, is inclined to appropriate slang words like "yo" from their present usage back into the late 1960s-when, arguably, it was being used only in some small sectors of the black community. Moreover, the word "honky" is a slightly disingenuous pejorative term, used (by Latinos mostly) more for its shock value than for anything else. More serious still is Conley's portrayal of blacks (and some Latinos, too) as hopeless victims-in contrast to the whites, who emerge triumphantly unscathed to tell the black and Latino stories with all their sympathies in all the right places. Not without its charm, Conley's account has the makings of a made-for-television movie. -- Copyright © 2000 Kirkus Associates, LP. All rights reserved.

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0 of 0 people found the following review helpful.
Analysis of Dalton Conley's Memoir
By Sammy
Dalton Conley effectively utilizes the tools of specific detail, imagery, and shifting perspective from a wide angle to close up; however, his usage of syntax is less effective. Conley consistently crafts unique passages by including one or two memorable and interesting details. For example, in Conley’s explanation of his father’s previous job scraping paint off Korean paintings, he describes the artwork vividly: “the soldiers had huge, round eyes; some were crying equally huge, round tears, which splashed onto their combat boots as they stared longingly at the viewer with homesickness” (33). The special detail Conley inserts into his narrative often is an image used to express an emotion or idea. He uses the simile: “the beads…looked like colored gnats or lice that had infested her scalp,” to convey that the colored beads looked terrible in his sister Alexandra’s hair (41).
Conley often switches from a wide angle to a close angle by writing a generic first sentence to introduce a scene, such as: “The second event happened to us and completely shattered my sense of our apartment as a fortress,” and then describing the scene or event in detail immediately afterward: “One weekend we went to visit my grandparents and left the kitchen window open…” (55). By employing the techniques of detail, imagery, and wide to close angle, Conley constructs well-crafted scenes of his memories throughout his memoir.
Conversely, Conley’s lack of consistency in using varied syntax weakens the effectiveness of his memoir. While he does include several short, punchy sentences, like, “I was right,” most of the time the sentences in his passages are all of a similar length:
“Initially my mother’s integrated carload didn’t encounter much resistance as they made their way through Virginia. Her main worry was how much weight she was putting on; the protesters were eating about eight meals a day. Most of the restaurant staff made them wait a while and didn’t smile or make eye contact, but they served them food just the same” (179 & 28).
This lack of varied syntax creates a monotonous rhythmic loop throughout most of the book. Overall, though, Conley successfully retains the reader’s interest by incorporating riveting detail, imagery, and shifts in perspective into his writing.

1 of 1 people found the following review helpful.
thought provoking and meaningful
By Michael
Like the author, I am white and spent part of my childhood living in low income housing in a predominantly black and hispanic neighborhood. I found this memoir so fascinating I could hardly put it down. Like the author, I have often pondered the complex reasons why I was able to escape to middle class success from the world of poverty, hopelessness, and violence that almost all my elementary school classmates presumably still live in. The book is a funny and honest memoir of childhood with just a light dose of analysis from the author's standpoint as an adult sociologist. Conley's description of the "cultural capital" and other resources that fueled his escape to an easier life really fits with my experience. This is a short book, and its brevity makes it a quick, entertaining read. I agree with some other reviewers that brevity also causes it to lack material that would be a great interest to many readers. What were the feelings and motivations of his parents? I also agree that Conley could have talked more about the complex, positive aspects of black family life that contrast with practices in white families, since his experiences should put him in a rare position to comment on this issue. I well remember the experience of being at a birthday party in the home of a black friend in second grade, sitting in a warm embrace on the lap of his grandmother, and realizing that the exuberant, loving, multigenerational family atmosphere there was a striking contrast to that in my family.

5 of 6 people found the following review helpful.
His "project" was a step up from where I lived
By A Customer
I also lived on the lower east side. Compared to the project where I lived, Masaryk Towers was a step up. Conley mentions the brown bricks of the projects but does not mention until later in the narrative the yellow bricks of Masaryk. The yellow bricks can be viewed as its difference from the projects in the area.
Conley makes it sound as if he's practically the only white person around. There were other whites in Masaryk and some whites lived in the housing projects as well. In addition, as Conley has a Jewish background, I'm surprised that he did not (unless I somehow missed it) mention the large Jewish community on the other side of the bridge right near his home.
I didn't like that Conley said that the names of the projects such as Riis and Wald have little meaning to the people who lived there. Many people live in places and have no idea whom they're named after.
I also didn't like that he insinuated that you could not get an education on the lower east side. I've had teachers who've inspired me to excel.
I've given this book 3 stars because it brought me back to the old neighborhood. The Pioneer supermarket, the luncheonette. These were part of my daily existence. Yet I think he was too hard on the Lower East Side. There is hope there.

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[P102.Ebook] Ebook Download The Humbug Man, by Diana Palmer

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It's a Christmas miracle in Montana with New York Times bestselling author Diana Palmer's beloved story, THE HUMBUG MAN.

Montana rancher Tate Hollister was the grouchiest man that widowed Maggie Jeffries had ever met. It's Christmastime, and Maggie was determined not to let her Scrooge-like neighbor ruin her young son's holiday. Nearly ten years old, Blake adored Tate for some reason Maggie couldn't fathom.

But there's more to Tate than his brusque manner. As the holiday season progressed, Maggie discovered that Tate—with his smoldering black eyes and roguish good looks—wasn't completely immune to the Christmas spirit. In fact, his loving embrace might just be the gift of a lifetime…

• Sales Rank: #73120 in eBooks
• Published on: 2014-12-15
• Released on: 2014-12-15
• Format: Kindle eBook

Most helpful customer reviews

15 of 15 people found the following review helpful.
A nice short story...
By Krystal
I've read many of Diana Palmer's book and well this one was not very different. Since its more like a short story, it doesn't get that well developed.

Story is about a mom (Maggie) who moves out to Montana with her son. The nearest neighbor (Tate) is almost untouchable after he lost his family. However, Maggie is able to win his heart and build her own family with Tate.

Since the story is very short, the character's personalities don't have a chance to develop. However, you can see from the short amount of time that Maggie is very devoted towards her son and Tate is very passionate and somewhat innocent.

A cute story. If you like Diana Palmer, this one should be a quick, good read.

6 of 6 people found the following review helpful.
i love diana palmer
By Elaine Croteau
i have read literally all of her books and thoroughly enjoy them. she always writes about the same theme, young virgin, older man, hates them, but eventually they realize they love them so all is right. her love scenes are so tender that you can help but fall in love. i cannot wait for her next book.

3 of 3 people found the following review helpful.
Another good book by Diana Palmer
By Amazon Customer
The question Amazon asked when they wanted me to rate this book was, "Did this item meet your expectations?"....the answer is, ABSOLUTELY "YES" ! ! ! ! ! I began reading books by this author several years ago and have many of them in my personal collection...one day I hope to own them all....I am never disappointed in the story lines nor content of her books....and the fact that so many of them have the same characters in them just makes it better for me....it is just like reading a family history and I do so love to do that !!!!

See all 53 customer reviews...

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